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In judging whether a recording is appropriate for inclusion in Rockin' Country Style, I try to answer two questions: First, is it rock & roll? Second, is it country (or primarily derived from country)? It is often painfully difficult to make one or both of these decisions.
The following is a list of the characteristics I have looked for in evaluating tracks. They range from strongly negative to neutral to strongly positive. Some characteristics (such as the presence of a mainstream country flipside) are only significant in the context of a recording I have already judged to be rock & roll. Other characteristics (such as piano triplets) are only significant in the context of a recording already judged to be country.
I developed this table only after having evaluated several thousand tracks. It is not a set of rules which I have tried to use in objectively scoring performances; rather, it is simply an attempt to spell out the criteria I found myself applying on an informal basis.
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Negative |
Positive |
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|
Characteristic |
Strong |
Moderate |
Neutral |
Moderate |
Strong |
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Genres |
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Sounds like Elvis on Sun |
X |
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Sounds like Carl Perkins |
X |
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Sounds like Jerry Lee Lewis |
X |
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Sounds like Elvis on RCA, 1956-58 |
X |
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Sounds like Charley Ryan's "Hot Rod Lincoln" |
X |
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Sounds like Elvis on RCA, 1959+ |
X |
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Sounds like Johnny Cash on Sun |
X |
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Sounds like Duane Eddy |
X |
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Sounds like the Everly Brothers |
X |
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Sounds like Conway Twitty |
X |
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Sounds like Arkie Shilbley's "Hot Rod Race" |
X |
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Sounds like Bill Haley |
X |
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Sounds like Buddy Holly |
X |
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Sounds like Carl Mann |
X |
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Sounds like Chuck Berry |
X |
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Sounds like Little Richard |
X |
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Artist Characteristics |
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Country |
X |
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Already has pertinent material included |
X |
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Southern (non-Gulf Coast) |
X |
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Gulf Coast |
X |
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Non-Southern |
X |
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Cajun |
X |
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Hispanic |
X |
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Black |
X |
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Recording Characteristics |
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|
Country label or series |
X |
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Nashville recording |
X |
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Mainstream country flipside |
X |
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Southern label |
X |
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Custom record |
X |
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Mainstream pop flipside |
X |
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Post-1959 recording |
X |
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Post-1964 recording |
X |
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Material Characteristics |
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Cover of R&B material |
X |
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Country composer or publisher |
X |
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Rocker |
X |
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Ballad |
X |
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Instrumental |
X |
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Traditional country material |
X |
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Boogie woogie rhythm |
X |
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Calypso or other exotic rhythm |
X |
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Twist rhythm |
X |
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Waltz rhythm |
X |
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Vocal Characteristics |
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Twang in vocal |
X |
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Presley-derived vocal |
X |
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Exhortations by vocalist |
X |
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Brother duet |
X |
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Male vocal group |
X |
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Female or mixed vocal group |
X |
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Instrumental Characteristics |
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Lack of an instrumental break |
X |
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Prominent electric guitar |
X |
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Acoustic rhythm guitar |
X |
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Steel guitar |
X |
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Acoustic bass |
X |
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Electric bass |
X |
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Single saxophone |
X |
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Horn other than saxophone |
X |
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Two or more saxophones |
X |
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Jerry Lee Lewis-style piano |
X |
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Piano triplets |
X |
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Boogie woogie piano |
X |
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Other piano |
X |
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Fiddle |
X |
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Accordian |
X |
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Organ |
X |
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Bongos |
X |
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Compilation & presentation © 2000, Terry E. Gordon |
This page revised on 03/16/2000 |
| Go to: RCS Main |